For example, the scenes which take place at night make repeated references to objects associated with darkness, such as the moon, stars, and artificial sources of light, such as lamps and torches, to help create a sense of atmosphere and setting.
The film portrays the same effect, but through a different process. In the film, the first six lines of the Prologue are repeated as a voice-over to accompany more news footage covering the latest outbreak of violence caused by the feud. This is evident through the techniques shown in the speech.
On stage, the characters described the setting in their speeches. Watching impassively is an enormous statue of Jesus. By comparison, the film puts the viewer in the midst of the strife-torn city infected with crime and decay.
Most of the time, the camera uses low angle when Lord Capulet is in the scene, as the powerful upper hand. Lord Capulet dressed as Julius Caesar emphasises the power he has against Tybalt who is only a devil looking for mischief, provoking the audience to think about the roles of each character in the film.
Luhrmann emphasizes the setting as the Prologue ends. Shakespearean drama, on the other hand, was written to be heard as an auditory experience. A 16th-century playgoer would have associated the hot climate, fiery, passionate nature of the people, and strong sense of family honor with the Italian locale.
However, the film adds to the emotions evoked in the audience by using different camera angles and shots. This suggests that Tybalt and the Capulets have the upper hand in the feud, and this is further propagated throughout the film.
The plays were performed in the afternoon, and the playhouses did not have the advantages of lighting or special effects. In act 3 scene 5, Juliet confesses to her father, Lord Capulet of her love for Romeo.
The Prologue sets the scene in both the play and the film. The attire used in the film was deliberate, to stress certain characteristics. The conflict escalates between Tybalt and Mercutio, as Mercutio provokes Tybalt to engage in a fight after Tybalt confronts Romeo.
Shakespeare utilises a variety of literary techniques to shape the ideas of conflict, through major fights which result in significant deaths, minor conflict which reiterates the ever-present feud and the dispute between the two families.
This scene features many minor conflicts between characters. These opening shots of a city divided by violence sets the scene for the subsequent action of the film. The two texts are set in completely contrasting social and historical contexts of Elizabethan England to Southern California in Verona Beach.
The next two lines of the Prologue are displayed as newspaper headlines and juxtaposed with clips of riot police attempting to restore order on the streets. This shows the audience the anger built inside the character by reinforcing the consonant sounds.
This is how Shakespeare and Luhrmann have shaped and reshaped ideas of conflict in the text, Romeo and Juliet. In contradiction, high angles are used when Juliet is shot, making the subject look helpless.
Conflict is shaped and reshaped in the text through Act 3 Scene 1, which resulted in the deaths of Tybalt and Mercutio. Despite the contrast of the two settings, both texts explore the external conflict which stemmed from the family feud between the Capulets and the Montagues.
Aerial shots pan across the cityscape as police cars and helicopters dart about, and human casualties are strewn across the ground.Despite the differences of the two methods, Shakespeare and Luhrmann have both shaped and reshaped the same idea of conflict in the text Romeo and Juliet.
The last idea which demonstrates conflict is disagreement within families. In act 3 scene 5, Juliet confesses to her father, Lord Capulet of. You’re like one of those guys who walks into a bar, slams his sword on the table, and then says, “I pray I never have to use you.”. Act 3 Scene 1 of William Shakespeare's Romeo and Juliet Act 3 scene 1 of ‘Romeo and Juliet’ is a very important scene in the play in that it is a turning from where the whole course of the action starts to move in a different, tragic direction.
Romeo and Juliet Act 3 Scene 1 A comparison between Act 3 Scene 1 in the Franco Zeffirelli and Baz Luhrmann directed versions of the cinema Romeo and Juliet. Act 3 Scene 1 Romeo and Juliet The purpose of the following presentation is to compare and contrast the two cinema versions of Romeo.
To assess Baz Luhrmann's use of setting in his film, Romeo + Juliet, we can begin by contrasting the film with the play as it was originally performed in the 16th-century theatre.
The key difference between the manner in which the film and the play deal with location is that the film is primarily an. Romeo and Juliet Act 3 Scene 1 - Verona, a public place ‘Verona, a public place’ is one of the most important, as well as dramatic scenes in the story of ‘Romeo and Juliet’.
It leads us into the climax of the story, and brings out various emotions and feelings from the audience.Download